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Alma-Tadema, Sir Lawrence In the Time of Constantine (mk23) oil painting


In the Time of Constantine (mk23)
Painting ID::  22938
Alma-Tadema, Sir Lawrence
In the Time of Constantine (mk23)
1878 Oil on wood,32.2 x 16 cm(12 5/8 x 16 in)William Morris Gallery,Walthamstow,London

   
   
     

Alma-Tadema, Sir Lawrence The Way to the Temple (mk23) oil painting


The Way to the Temple (mk23)
Painting ID::  22939
Alma-Tadema, Sir Lawrence
The Way to the Temple (mk23)
1882 Oil on canvas, 101.5 x 53.5 cm(40 x 21 in) Royal Academy of Arts,London

   
   
     

Alma-Tadema, Sir Lawrence An Oleander (mk23) oil painting


An Oleander (mk23)
Painting ID::  22940
Alma-Tadema, Sir Lawrence
An Oleander (mk23)
1882 Oil on wood 92.8 x 64.7 (36 1/2 x 25 1/2in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence On the Road to the Temple of Ceres (mk23) oil painting


On the Road to the Temple of Ceres (mk23)
Painting ID::  22941
Alma-Tadema, Sir Lawrence
On the Road to the Temple of Ceres (mk23)
1879 Oil on canvas,89 x 53.1(35 x 20 7/8 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence Tepidarium (mk23) oil painting


Tepidarium (mk23)
Painting ID::  22942
Alma-Tadema, Sir Lawrence
Tepidarium (mk23)
1881 Oil on wood,24.2 x 33 cm(9 1/2 x 13 in) Lady Lever Art Gallery,Port Sunlight Liverpool

   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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